WORK PLAN
INSIDE-OUTSIDEGLORIOUS DEMISE
THE CONFRONTATION WITH INEVITABLE DEMISE. GLORIOUS IN IT’S TOTAL PREDICTABILITY.
PAST - FUTURE - COLLIDE
INSIDE - OUTSIDE
SUBJECT - CONTEXT
IN THE ROOM (TOGETHER)
GRID - WINDOW - PERSPECTIVE
DIGITAL GRID TOO
STUDIO SPACE - HEAD SPACE
RELATIONSHIP BETWEEN THE OBJECT AND THE VIEWER
USE PERSPECTIVE EXPLICITLY AS CONTEXTUAL INDICATOR
Backgrounds: landscapes, skies, cityscapes
foregrounds - anything in a room
compositions
colors
patterns textures
sketches on paper lino overlay or riso
a4
sketches on canvas ah bags stapled to wood
sketches on canvas - 50x35
Large paintings - classic compositions
MORTALS
INNER ENERGY COLOR
video montage pvm
LED OBJECTS
Altar/shrineLED BOXES
Formats which do not resemble a tv screen or monitor. Oblong or square.50x100cm
75x75cm
75x150cm
Include tronics or keeo in separate box.
- Send card
- Media player
- Receive card
- Transformer.
Content:
Driveby, driveby montages
Palm tree
Gaza Drone zoom
computer chip animation
digital glitch grid stuff
Themes:
Digital enclosure
interactive media, include speaker, camera, microphone
feed back loop
non linear feedback
Cybernetics: Or Control and Communication in the Animal and the Machine
POLYCRISIS
finite resourses - infinite growth
embracing hypocrisy
power plant,
atomic bomb,
chess
error
NEWS
YES/BUT
POLARISER
LEFTIST/RIGHTISTPROTEST
PROXIMITY SENSORS
VEIL
unified field
KEYBOARD WARRIOR
SURVEIL
WARNING
CLASSIFIED
INBED
PEOPLE HAVE BECOME A CROP FOR DATA HARVESTING. WHICH RAISES THE QUESTION OF FREE WILL IN A DIGITIZED WORLD. THERE IS A NOSTALGIA IN THE WORK, APPARENT THROUGH THE REFERENCES TO 80’S TECHNOLOGY AND VISUAL LANGUAGE. THE PROMISE OF TECHNOLOGICAL ADVANCEMENT. ORACLED THROUGH SCREENS. THE SCREENS BECAME AS UBIQUTOUS AS JEZUS STATUES IN CATHOLIC HOMES.
WE WORSHIP OUR DIGITAL WORLD MORE THAN MONEY. RECEIVING AND BROADCASTING IN BETWEEN COMMERCIALS. NO NEED TO CREATE TELEVISION BECAUSE WE DO IT FOR FREE.
WHAT WAS FUTURISTIC IN THE 80’S IS RETROFITTED OPTIMISM.
QUESTIONS OF INEQUALITY AND COMMODIFICATION OF THE LIVING WORLD. HOMO DIGITALIS ECONOMICUS IMAGINIS. TECHNOCRATIC CAPITALIST UNIVERSE IS SHOWING CRACKS WHILE ALTERNATIVES ARE UNIMAGINABLE.
ARTIFICIAL WALLS TO PROTECT US FROM THE POVERTY AND SUFFERING WE CREATE TO UPHOLD THE WESTERN CAPITALIST HEGEMONY.
PAINTING
IT CAN BE ANY SUBJECT AS LONG AS I WANT TO PAINT IT. THE CONSISTENCY SHALL BE IN THE STYLE OF PAINTING, MINIMAL DETAIL AND STRONG EXPRESSIVE STROKE. THER SHOULD BE A CONSISTENCY IN ASSOCIATION AS WELL. IT CAN BE THE GRID OR PERSPECTIVE CONSTRUCTION LINES. IT CAN ALSO BE THE FRAME LIKE THE BORDER OF A MAP WITH A SCALE.
LOOK AT PAINTINGS AND COLLECT ELEMENTS.
subsistance - prevent people from being able to live
ART IS USELESS
IT CAN NOT BE CAPITALIST
SCREEN IS A DOORWAY
A PORTAL
YOUR MIND GOES IN
IT GOES IN YOUR MIND
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AUTO BROADCAST
prisoners of desire
memetic desire
attention deficit
red scare
distant violence
cheap labor
love is a sound
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Rietveld, mondriaan de stijl - modernism and abstraction the spirit behind the form, the unwritten, undescribable, unseen.... morphic field
The idea behind something. Show what you cant see. Maybe music is closer, you can describe it but only subjectively. It was an ideal, aesthetically but also that we humans would learn to engage with the non-physical.
WE WORSHIP OUR DIGITAL WORLD MORE THAN MONEY. RECEIVING AND BROADCASTING IN BETWEEN COMMERCIALS. NO NEED TO CREATE TELEVISION BECAUSE WE DO IT FOR FREE.
WHAT WAS FUTURISTIC IN THE 80’S IS RETROFITTED OPTIMISM.
QUESTIONS OF INEQUALITY AND COMMODIFICATION OF THE LIVING WORLD. HOMO DIGITALIS ECONOMICUS IMAGINIS. TECHNOCRATIC CAPITALIST UNIVERSE IS SHOWING CRACKS WHILE ALTERNATIVES ARE UNIMAGINABLE.
ARTIFICIAL WALLS TO PROTECT US FROM THE POVERTY AND SUFFERING WE CREATE TO UPHOLD THE WESTERN CAPITALIST HEGEMONY.
PAINTING
IT CAN BE ANY SUBJECT AS LONG AS I WANT TO PAINT IT. THE CONSISTENCY SHALL BE IN THE STYLE OF PAINTING, MINIMAL DETAIL AND STRONG EXPRESSIVE STROKE. THER SHOULD BE A CONSISTENCY IN ASSOCIATION AS WELL. IT CAN BE THE GRID OR PERSPECTIVE CONSTRUCTION LINES. IT CAN ALSO BE THE FRAME LIKE THE BORDER OF A MAP WITH A SCALE.
LOOK AT PAINTINGS AND COLLECT ELEMENTS.
subsistance - prevent people from being able to live
ART IS USELESS
IT CAN NOT BE CAPITALIST
SCREEN IS A DOORWAY
A PORTAL
YOUR MIND GOES IN
IT GOES IN YOUR MIND
AUTO BROADCAST
prisoners of desire
memetic desire
attention deficit
red scare
distant violence
cheap labor
love is a sound
Rietveld, mondriaan de stijl - modernism and abstraction the spirit behind the form, the unwritten, undescribable, unseen.... morphic field
The idea behind something. Show what you cant see. Maybe music is closer, you can describe it but only subjectively. It was an ideal, aesthetically but also that we humans would learn to engage with the non-physical.
PLATFORM:
Work for a collective point of view and curate content. Use studio space for photos opps and performances. Apply for funding for the space and functioning - include art classes and lectures
- new art space in Rotterdam
- educational
- cross disc. connections
TTD
update website
- Salk project
German residency installation plan
AGA lab residency plan
DAE Bachelor proposal
OFFERTES PLEXI BOX VOOR LED
PEOPLE MOVING
jan 6 insurrection
oct 7 attack of resistance
march of refugees gaza
people in cobalt mines
BML
amazon protests
israeli soldiers
actual events in grid framework
the grid reveals PERSPECTIVE which can be a support for superimposed image
pattern or reference to known painting - connotation
The grid reflects or embodies capitalism, the corporation, the office, the desk, the computer
the prespective, underneath is abstraction
matrix
maps, zones of influence
intersect with other graphic explanations and medical models
play with macro micro
The harsh contrasts when you put instance in a room together
israeli family - palestinian prisoner
american banker - forest fire or whats left of it
oil tanker in raimnforest
The differential analyser is a mechanical analogue computer designed to solve differential equations by integration, using wheel-and-disc mechanisms to perform the integration
SUBSIDIE
https://www.mondriaanfonds.nl/subsidie-aanvragen/regelingen/kunstenaar-basis/
https://www.edith-russ-haus.de/en/about/grants/application
